I continuously refined the likeness work on the face, gradually enhancing the details. Through this process, I learned how to understand and apply facial bone and muscle structures, making it a personally engaging and educational experience.
For the Hanbok costume, the inner garments were made with a silk material, while the outer dapo was rendered with a subtle translucent lining to highlight material variation. However, accurately capturing the Hanbok’s authentic texture and characteristic flow proved more challenging than expected, leaving some room for improvement and highlighting the need for further study and refinement in the future.